Named a Best Book of the Year by The Guardian and The Financial Times
From “one of the most original minds in contemporary literature” (Nick Hornby) the bestselling and award-winning author of Golden Hill delivers a noirish detective novel set in the 1920s that reimagines how American history would be different if, instead of being decimate
When Detroit’s most-feared street executioner, a deaf thug known as Silence, is assigned the unsavory task of protecting a controversial Black conservative, brutal opposing factions, his own personal feelings of revulsion, and a flourishing opioid addiction threaten to bring him to his knees once and for all.
A teenage girl and her gangster father embark on a road trip toward revenge in this award-winning coming-of-age Argentinian noir.
From Emmy-nominated screenwriter Gordon Greisman, The Devil's Daughter is a noir thriller full of the best--and worst--of New York City in the 1950s.
An action-filled coming of age novel about love, vengeance, corruption, and justice by the acclaimed author of Six Days of the Condor.
"Grady's style is loose, colorful, challenging and fun.
In this "racing, twisty crime novel," two estranged twin sisters hunt down their elusive mother—and face down the darkness they tried to escape. (Chelsea Bieker)
Jane Pool likes her safe, suburban existence just fine. She has a house, a family, (an infuriating mother-in-law,) and a quiet-if-unfulfilling administrative job at the local college.
Based on the hit Netflix series, this novel delves into the lives of Top Boy's beloved characters. Written by creator and co-producer Ronan Bennett, it promises to be an exciting new chapter of this bona fide TV sensation.
I’m gonna tell you the whole story. I’m going to tell you everything.
QUENTIN TARANTINO on NOBODY'S ANGEL: “My favorite fiction novel this year was written by a taxi driver who used to hand it out to his passengers. It’s a terrific story and character study of a cabbie in Chicago during a time when a serial killer is robbing and murdering cabbies. Kudos to Hard Case Crime for publishing Mr. Clark’s book.”
“The inventive Mr. Swanson never lets the willing reader down. With The Kind Worth Saving, he surpasses his own high standard.” — Tom Nolan, Wall Street Journal
Eugéne Tarpon, the private-eye protagonist from Manchette’s No Room at the Morgue, appears once more for a characteristically brisk and brutal story full of unexpected comedy and feeling.
From the author of Kings of Broken Things and In Our Other Lives comes a "powerful, immersive" literary noir about two female World War II correspondents whose fates intertwine in Europe (Caitlin Horrocks).
Paris, 1938.